Red Dawn Remake...Please Do Not!

Remaking "Red Dawn," a film that portrays the then very real concerns of Soviet preemptive attack, would be rather easy in the Post-9/11 world. The media has served to feed the American citizenry with a continuous and ostensibly incredulous stream of bull-shit. Hollywood has capitalized on the trend and produced movies depicting Islamic terrorists demolishing large structures and authors have banked on the aforementioned tragedy by convincing us that America's demise is imminent.

The corny and rather redneck scenarios that interplay in "Red Dawn," a movie that depicts the unlikely invasion of Soviet trips into small-town America via means of parachutes, could be vastly improved upon. I could not help but internally chuckle as I observed the ridiculous escape of a few citizens and their safety from the occupying force.

It has been an all-too-popular and slovenly production trend to portray the physical invasion of an occupying national military. Our increasingly globalizing society has reiterated that future terrorist attacks will likely aim to detriment and destroy technological and intellectual capital, rather than, to conspicuously target exceedingly tall skyscrapers. Said attacks entail the type of sophistication only made recently available in the twenty-first century and would significantly cripple the day-to-day financial, physical and infrastructure operations of America.

Producing a cerebral film about the catastrophic, terrorist-provoked explosion of America's technological, energy and infrastructure grid would be undoubtedly difficult to attract the dollars and attention span of a nation largely obsessed with seeing how many pounds, dollars and 15 minutes of fame their fellow citizens can attain by participating in mindless reality programs.

The time has come, however, when the true effects of our disproportionately powered tech economy and an attack on it should be elucidated. Think about the aftermath. ATM's would not function, stop lights would cease to provide adequate protection against the insanity of our signal controlled traffic, energy facilities would be unable to generate power, airlines would be without direction, and Blackberry and iPhone consumers across the country would protest and angrily bitch about the dysfunction of it all. The film of technological disaster could illustrate the danger, disillusionment, and humor that a situation of such a magnitude could inspire.

In the interest of further creative liberties, however, the attack would need to be depicted as transpiring under the watch of the previous administration. The current president's anticipatory and contingency operations could potentially dull the imagery, by quelling the situation with strategy and intelligent insight.

Corey Scott-Vincent-William Dutra

Remaking Red [Yawn]...Dawn

As kitschy, ridiculous and dated as the film Red Dawn is, the point of the film does not get lost through bad haircuts and Soviet fears. The very real fear of waking up one day and having everything around you reversed, is a fear that has been with mankind ever since two rival societies decided to vilify each other, an attribute of humanity that I believe has been with us for thousands of years. Because a quality of mankind is to distrust others, and to allow our imaginations to take us to the worst possible conclusions, I don’t think that remaking Red Dawn in a post 9/11 world would be too difficult.

What I would do to remake the film is to have a series of dirty bombs detonate in major U.S. cities, causing extreme panic and governmental breakdown. In the aftermath of this, the Chinese, Saudi Arabia and Iran, would invade the United States from the coasts. The U.S. government would have to operate from Chicago, as the survivors would reside in the Midwestern United States from Utah to Ohio. For the remake of Red Dawn, most of the battle scenes could remain similar, hell we could even keep the corny haircuts, as most of the people in the Midwest haven’t really changed in the last 20+ years, we just have “the google” now, and our fears have been shifted from Soviets to “Islamofascists”.

It would be really easy to pray off the fears of Americans and remake this movie from a “post 9/11” stand. The only thing that has changed since the 1980s is that the systems of media have become even better at inspiring a complete and total fear in the hearts of the masses. So by playing off these fears, and our given absolute trust/”attempt at contempt with ‘mainstream’ media” we can create a world within Red Dawn that realistically appeals to people fears. The biggest effort of the new Red Dawn would be to avoid turning the film into a hate-piece against Islam, as most Americans already have a distrust of Islam and this movie, in the “post 9/11 world” would serve to that distrust. However, if we were to involve the original production crew, they probably wouldn’t give two shits about how Islam is portrayed, and would do whatever it takes to get the most tickets sold.

The way to sell the most tickets would be to do what the original film did, to rely upon the story as an über-nationalistic mouthpiece, talk about “courage”, and show that the Americans who courageously thought with their gut were able to take back the USA from those goddamned Ruskies, but now we replace Ruskies with “towel-heads”. Divide and conquer, inspire with-us or against-us attitudes and you’ll get your $200 million back in no time.

Jack Gustafson

Thinking the Unthinkable

Five Unthinkables for the political world of 2009:

1: A military coup will overthrow and ascend to power in the United States.

2: The European Union will dissolve as a result of Islamic extremists assuming power in Great Britain and France.

3: Nuclear exchange between Israel and Iran.

4: Turkey invades Northern Iraq as a result of Kurdish fighters detonating dirty bombs in Istanbul.

5: After failed peace talks between Japan and North Korea, North Korea sends missiles toward Seoul and Tokyo, followed by North Korean and Chinese ground troops fully invading Japan and South Korea.

Jack Gustafson

The Unthinkable, You Don't Say?!

According to political wisdom of 2009, the following top ten incidents could not occur:
1. Iran launch a nuclear missile directed toward the contiguous United States.
2. North Korea cannot invade neighboring South Korea; establishing a concomitant government within Seoul, South Korea.
3. Al-Qaeda could not perpetrate the massive or furtive launch of simultaneous “dirty bomb” attacks within a major US city.
4. America could not confront a natural disaster superior to Hurricane Katrina.
5. A US city cannot fall to anarchy or other civil insurrectionism.
6. Domestic terrorism involving the explosion of a significant venue (athletic arena, etc) could not transpire.
7. Terrorism cannot occur in such a manner that would involve the decimation of American technological infrastructure-by internationally based hack artists.
8. American military North American Aerospace Defense Command could not be infiltrated by an “insider” permitting for the simultaneous launching of missile defense systems against Russia and China.
9. Another US executive leader cannot be assassinated by those in significant opposition to the potential progress entailed in a new government reformation system.
10. Mexico cannot invade Texas, Florida and California utilizing Mexican Federal Police and military squadron to reclaim formerly owned territories and form a new Chicano state.
Corey Scott-Vincent-William Dutra

Shot of REAL[ism]

Robert Foster

I idea of an American Camelot and the Kennedy’s was one of the most brilliant and easy things to do during the time John was running for office. His family exposure allowed this notion of a strong and good family to be portrayed even though behind the scenes it was quite the opposite. The idea was then crafted quickly after the assassination of John Kennedy to the legacy it is known for today, the accomplishments, the idealism it is much easier to contrast because quickly after it the hippie and Vietnam protests began. This is the innocence that people at before the radical departure that occurred during those years. The idea of Woodstock, student marches and ideology you can hold your own views but the time span during the Kennedy administration and compared to those times of sex, drugs and rock n’ roll during the LBJ administration pose striking differences. In the movie the Kennedy’s are shown as the saviors who did not to receive such actions, it is a two-minute dialogue in the movie. But people know that during this time that administration brought this upon themselves. It showed a united family sticking together and being the smartest people in the United States but also the most down to earth. The fights over toast and Ken lying in his wives arms saying these guys are the smartest in the room. The character of Bobby in my opinion shows this striking idea that he is misunderstood; he isn’t ruthless and smart. No, he is a good old-fashioned Catholic schoolboy who bad things seem to happen under their watch. It portrays them as being level headed and having to save the country from generals who want to destroy the United States but everyone knows the true way the Kennedy’s act. For my own mother who is in love with Camelot doesn’t wish to see the glaring black eyes or outright lies because everything is to complicated now. The fact these men took their family to church, stopped in the confessional box and worked around the clock to save the country while being so gracious. I doubt any President truly ponders the idea of how one can get to saying throw a life away or say he isn’t going to take some bait from a general. It makes these men look like gods who could do no wrong or harm no person. The movie shows a nation that produced the finest of men, the smartest people to ever win an election and bad things happening to them for no reason. The movie shows a president who posses all the best characteristics of someone up to that time. What we must remember is they made mistakes, they toppled governments, and they make Clinton out to look like a saint. Americans and especially Roman Catholic’s need to remember these were men who cheated on wives, back tapped people, ruined careers and perhaps even stole an election. They were connected with the most corrupt men from the Daley’s in Chicago to Tammany in New York, they were the best players in the political world perhaps to good.

Don't Challenge Me!

Jack Gustafson

In a previous column, I presented the idea that Hollywood is not of a liberal bias, and with this column, I must reiterate that stance. I am not going to say that Thirteen Days is not biased towards the Kennedy family, it most certainly is, however I must argue that the Kennedy family holds a certain place within the American Mythology. Americans, for the most part, do not care about the facts behind the Kennedy Administration, we want to hear things that go along with what we think, and this is a perfect task for Hollywood. Most Americans think of JFK as a good to great President, and we don’t want Hollywood mucking up our belief structure. Same goes with Nixon, we know he was a “bad guy”, which is why all movies about Nixon eventually show him as the flaw character that he was (and that we all are). With movies like Thirteen Days, we allow Hollywood to hold our hand as we “venture” into unchallenged myths.

Thirteen Days takes special care to convince the audience of its’ authenticity. Several scenes within the film are filmed in black and white, an effort by the director to make the movie seem based on specific facts, which I won’t deny. Artists have always messed with their medium to convince the audience of its’ authenticity, and even though I would hardly call this film “art”, and would also say that the use of black and white is a failure, I must respect the attempt. What does work is the use of real news clips to help guide the story while maintaining as sort of historical accuracy. Sadly, in this film with little character development, and lack of suspense, the news clips were the most exciting parts.

While the movie makes it obvious that it favored the Kennedy family through the attention paid toward the characters, I believe that it fails to successfully heap praise on them. If Hollywood was so liberal, you would think that they would take special care to make a good film, but in the end we get flat characters, a story that the national audience is already familiar with, and more Kevin Costner than should be allowed by law. I mean, look at the guy, his character seems to be a mold of like five or six different characters since the real Kenney O’Donnell had nowhere near the amount of power as the fictitious one did. It seems that Kevin Costner is only acting out his dream of hanging out with the Kennedy family.

Since the national audience is already familiar with the story within the film, the idea of creating this film should have been aborted, unless the director decided to add aliens, zombies, or alien zombies. The problem with making a movie like this is that everyone already knows how it will end. The only way to make the movie watchable is to show a different side of an already known character or to actually change history. Kevin Costner was not enough to keep me interested, and (surprise!) we beat the Ruskies. The result is that this film suffers the same fate as all Hitler assassination movies.

If this movie is deemed “Liberal” (capital l is intentional), then I have to believe that this is all part of the vast right-wing conspiracy; the movie does not entertain. In the end it is not about the story, but the size of the director’s ego.

Shame on You, Congress!

Blog Question: Does Congress deserve the bad rap it gets in the movies?

NOTE: This blog is Beth's addition from last week's events which precluded her from posting.

Dr. Meiers said in class that he would prefer to have 200 random people picked from the phonebook than the members of Congress we have now. I believe that’s an excellent idea. Politicians lose touch with the citizens of this country upon the election into office, particularly into the Congress. Any sense of working for the good of the citizens is depleted upon entering the game of politics.
For example, my most recent infuriation, in a recent story from the Kansas City Star on Feb. 21st about Gov. Kathleen Sebelius as possible secretary of health and human services, Kansas City’s “beloved” mayor, Emmanuel Cleaver is quoted saying “We’re just not going to be able to go there (referring to health care.) We have no money.” Are you kidding me? No money? Cleaver may have once done wonderful things for Kansas City, but I’m officially over him. No money? And you just spent billions of dollars on multiple corporate bailouts to line the pockets of CEOs again. You can’t find ANY money, to assist the million of people in the United States with out health care. And he calls himself a democrat, he should be ashamed.
Now that I’m off that soapbox, politics is a game that only snakes and skunks can play the best. And Congress is the forest harboring the worst kinds of vermin in this country. A person with good intentions and strong morals will never make it in politics, not ever. Even if you begin as a hard working, good willed American citizen looking to make a difference, the key to making it in politics is learning how to play the game. Once you’re in the game, it consumes you so completely, that you lose the simple, functioning ideals you came in with, and come out with a self serving ambition that can take you right to the top. The drive to please constituents, to make the money needed for re-election (and line their own pockets,) to take trips and have fancy dinners on tax dollars, and to pocket the right people to help you get what you want is what drives Congressmen to do what they do. But maybe, just maybe, if you took 200 random people, with no agenda, just coming with their experiences with the frustrations of middle and lower classes, Congress could finally get something accomplished.
Simply, Congress deserves every bit of the bad rap they get. Exploit the hell out of them, uncover all of their dirty little secrets and print them in your biased Medias for the world to see. I’ll eat up every word you tell me, because even if what you say isn’t true, deep down I know it’s probably that bad… or worse.

Beth Goin

The Loathsome Tale

If you hadn’t noticed already, I loathe all politicians. So it would be logical that although many Americans adore them, I consider the Kennedy’s to be no different. That being said I have to be honest that I know little to nothing regarding JFK’s time as president, being that I was not alive then and I don’t take much interest in history. I know that something JFK did must be shady because, let’s be honest, he got shot. Other than that my basis of information comes from Dr. Meiers brief summary before the movie. While I was watching Thirteen Days it occurred to me that Dr. Meiers has given these brief summations before movies the last few movies we’ve watched. And most of the time they show the ugly side of the topic of the movie. For example, Kennedy’s Operation Mongoose prior to the Cuban Missile Crisis. Dr. Meiers informed us about a series of terrible happenings the United States inflicted including rapes, burnings, murders and more. Interested and curious about the information given to us, I decided to do some of my own research on Operation Mongoose, as Dr. Meiers would tell us never to get all of our information from one source. I could not find one article discussing those types events taking place during Operation Mongoose. I want to be clear that I am not arguing the fact that these proceedings took place, but why would Dr. Meiers give us information that we would be unable to back up with an alternate source. In addition, why would he give us such controversial information before we watch a movie, so the whole time I’m watching, his synopsis of the events or people prior are fresh in my head resulting in my interpretation of the movie closely relating to the information given to me by Dr. Meiers. Maybe it’s a test. Maybe he’s looking to see if we gobble up and spit it back out, just like good little college kids. He could be checking to see if we form opinions of our own. Then another thought occurred to me. Is it possible that Dr. Meiers is a planning a political mutiny? And maybe he’s planting the seeds of revolt in the young, pliable minds of innocent college students to create an “army” when the time comes to enact a revolution? Doesn’t Dr. Meiers have a “following” of poli-sci students that take all his classes? Ok, so there’s probably no rebellion in the making. But it does remind me of an important point to remember. Use trusted sources and don’t get all your information from on place. Think for yourself and form your own opinions. Never trust a label- even PhD’s can have slanted ideas. What Dr. Meiers says makes sense. And as far as the Kennedy’s are concerned- politicians are snakes, especially those that make it to the presidency. Nothing surprises me, don’t believe what you see in the movies.

Beth Goin

Americans Only Watch Historically Quasi-Accurate Crap!

After hearing that President John F. Kennedy said "if I do not get at least a strange piece of ass everyday, I will have a migraine headache," it is almost painstakingly difficult to render a serious response to this blog inquiry. I will muster what analytical prowess I can in the spirit of completing this entry.

There is little secret regarding the power players, perfunctory cruelty and ruthlessness that the Kennedy administration often demonstrated. The film "Thirteen Days," however, does not adequately address said matters. The "sin of omission," while probably referenced by the more Republican or conservative viewership of the "B-" rate film, as underscoring an inherent liberal bias is undoubtedly done more for portraying the relevant and salient historical aspects of the military and diplomatic crisis that unfolded in 1962, than any deliberate attempt to further romanticize "Camelot."

Like many cases of artistic liberty, it is easy and rather mindless to criticize the proclivity of a film rather than to cite a production's true to period commitment. In this respect, there is one blatant misrepresentation within the film, the depiction of Laurence O' Donnell is misguided provided that the real-life character was charged with "prostitute procurement" for President Kennedy. The movie unnecessarily elevates the aforementioned character, much like Kennedy in other media, to the status of a devout Catholic-neglecting to mention the individual's morally questionable activities. This particular "liberty," surprised me because nothing makes for a more interesting and audience-entertaining story line than a politician chasing hookers for an venerated public figure. Credit should be given to the film's director and writer's for not taking the routine "low road," of Hollywood and maintaining a dedication to 'mostly' historical fact. The film, in all honesty, could have easily ventured into smut land-given the dastardly material that the Kennedy administration unknowingly generated for latter production value.

In terms of the depiction of the military within the film, according to my reference of administration documents, the portrayals are largely accurate. Secretary of Defense Robert McNamara, as shown in the film, was strong-willed and opposed to any interference or attempt at military direction without explicit "permission" of the president. To this end, McNamara allayed the sort of additional "shot over the bow" incidents ordered by other defense personnel-primarily, the Naval chief.

I was actually surprised that some moments of tense "pissed off" shots were shown regarding Kennedy. My expectation was that Kennedy would have continuously been idealized as the type of perpetually equable mind that many previous films and literature have falsely attributed to him. There is a certain reassuring humanity in knowing that in the midst of a national crisis the president of the United States remains demonstrative of real, powerful humanistic sentiments of which we can all relate to on an inferior stress scale.

"Thirteen Days," was actually directed and written utilizing "The Kennedy Tapes - Inside the White House During the Cuban Missile Crisis," an actual account of events within the Oval Office penned by Ernest May and Philip Zelikow. Analyzing the film and comparing it side by side with actual developments-though omissions were perpetrated, suggests a movie of unusual historical commitment.

Sure, "Thirteen Days" has its way with some minor historical facts, but if it were all real one thing is more certain than taxes and death, even fewer Americans than already did would have gone to see its cinematic debut.

Corey Scott-Vincent-William Dutra

Dave, Be Damned!

NOTE: Sleep deprivation and a general lack of enthusiasm for this film precluded an "above par" performance. We hope you enjoy this utterly unedited film review.

Editor's Note

Team member Beth Goin, due to unforeseen and extenuating circumstances, was unable to publish a blog this week. We extend our thoughts to Beth and anticipate her return to contributing.

Congress, Malaria, Bridges, OH MY!

I absolutely believe that Congress deserves the bad rap it gets in movies and in public opinion. The Senate in my opinion is a group of men and women who do nothing for the people of this nation and line their own pockets and pockets of friends, they get paid a great salary especially when people are talking about paying CEO’s of Fortune 100 barely six figures.

The Senate where many in it are sons or daughters of former congressmen is also a place where many of these people cannot even pay their taxes correctly. I feel they sit on perch and talk down to everyone from their seats of power in Washington D.C. but many Americans along with myself find people from other regions to be the problem. Many people around the nation would agree with Jefferson when he said Congress should be moved to a malaria infested swamp, people today feel that these people are crooks, liars and lack virtue. How can you when some like Ted Kennedy have been in the Senate for half a decade. People look and see that congressmen and women need to be swapped routinely because power corrupts.

The House of Representatives lay closing to their people and vote routinely along party lines, these people are closer to the people and have to work on their re-election almost right when they get to office, the House has not controlled matters since Clay left it and is a body that believes in uniformity then being able to stand out. Both places are imperfect and need changing and most politicians it is politics as usual when you get to Washington too many politicians don’t do the right thing. In most movies congress is shown to be power hungry men who lack any clear vision. They love the cameras and funding for their little “pet projects” be it a bridge to nowhere or some federal money for condoms, when it comes down to it these people focus on themselves. There are few idealists in the Congress and they are forced to change over time just so they can appear to get something done. Most people think that Congress is over-paid, too many vacations and too many lobbyists at their doors and the people’s inability to change the system. I think that Congress does deserve the bad rap they get in the movies because time and time again they show they cannot unify less than one central leadership nor get what the people want done. The Congress being Republican or Democrat has shown it cannot push through on their promises, the only established Congress that got things done were the FDR democrats. This group of individuals pushed threw the New Deal and helped the nation get back on track. Congress’ present favorable rating is less then the outgoing President and that says something about their leadership now. If Congressmen and women want to change the attitude it is up to them to change their politics as usual mentality.

Robert Foster

The Whiny Will of the People

Jack Gustafson


“And on the rulers turned I my back, when I saw what they now call ruling: to traffic and bargain for power--with the rabble!” - Friedrich Nietzsche


It is a given that most people have a negative view of Congress. As long as Congress has existed, with very few exceptions, the American population has held Congress with contempt. This contempt has manifested in the steady grumbling of catchphrases like “politics as usual”, “Washington insiders”, and a laundry list of abstract criticisms that have evolved since the foundation of our country. But if we are truly upset with the actions of Congress, then why don’t we throw the “bums” out? The fact is that we will never throw them out, because as much as we hate Congress we love our Congressmen. Congress always has a low rating, but a Congressman’s constituents will mostly give him or her a high rating; Former Senator Ted Stevens can testify to that. We hate “pork”, but we love it when our area gets government spending. For this reason, we can recognize the grumbling directed at Congress as nothing more than the cackling of the rabble.

The rabble-rousers in the news media and in Hollywood have recognized the will of the masses and have learned that people look for guidance in times of disorder. The media steps up as an orderly “objective” figure, and comforts the viewing public. Even when disorder is not present, the media will seek out a way to summon it and create fictitious problems. People like to get worked up over things, as people see issues as a way to define themselves. There is no way to eradicate this herd mentality as it is part of our human essence. Because of this, there will always be a platform for this anger to be directed towards. This manipulation of the public’s consciousness is self-defining and it will continue until the end of mankind.

The eternal nature of public criticism will be packaged, consumed, and recycled ad infinitive by Hollywood and other outlets. Besides, nobody wants to watch a movie without a conflict, and nobody will pay ten bucks to see a movie where everything is “nice” the whole time. For all of this, political conflicts will always have a place in a movie producer’s heart. As we recognize our inherent anger, and if we want to call ourselves patriots, then we can reason that Congress deserves the bad rap it gets from Hollywood. The reason I say patriot is because Congress benefits from Hollywood’s depiction. Yes, the media controls our minds, but the government controls the media. As long as there is distrust, there will be politicians promising to ease our pain, with no regard to the fact that they may or may not be the ones who created it. With this distrust, there will always be campaigns, there will always be hope, and there will always be money to be had.

Hatin on the House

The only thing more smutty, slutty, corrupt, unrealistic and disgusting than a Hollywood-produced sex scene is the incessant, corporate lobby-pandering members of the United States Congress. If Congress were a celebrity, it would probably be Britney Spears it began innocently enough, but has become more distasteful by the session. In this respect, the establishment is more than deserving of the dogmatic, despicable and detrimental portrayal it receives in cinema.

In all fairness, though, Congress has been disproportionately cited in the negative only in the singular, Republican sense. As the American consumer recently discovered, those under the "capitol chapel" had a proclivity to bilk their constituencies in what was an exceptionally rare demonstration of bipartisanship. While some members retrospectively blame one another for the blatant and catastrophic failure of oversight and financial review during the execution of the Temporary Asset Relief Program (TARP), it must be noted that the ranking Senator on this matter was Connecticut Democrat Christopher Dodd. An investigation of Dodd's Senate record and the associated lobbyist record illustrates the intersection of corporate influence and personal avarice.

Much like a fictional Hollywood portrayal, Congress has become an interesting and routinely seedy back alley for special treatment s in exchange for Congressional favors and the inclusion of pork barrel funds for "pet projects." Dodd, the esteemed Chairman of the Senate Banking Committee who was the presiding officer of the "non-hearings" that Congress feigned prior to the initial bailout trillions being released, just so happens to be the biggest recipient of contributions from the credit card and financial services lobby. How coincidental it was when it was revealed that the nation's merger-happy banks: JP Morgan Chase, Bank of America, and Citi Group were hardly burdened with stringent questions or inconvenienced with namby-pamby "conditions," despite the most blatant step toward the nationalization of a financial institution since the Soviet era.

Of course, a good plot is never truly realistic until the other party screws up, too. Need I say more than eight years of Bush? Sure, some who read this blog might actually attack me for the lacking of specifics with regard to a "failed" Republican policy, but citing any of these is redundant for two reasons. Underscoring a potential conservative, right wing political blunder is unnecessary because revisionist historians and pundits have already reversed said errors. It is difficult to rail against non-existent history, right. Moreover, most of said egregious offenses against holistic humanity have been perpetrated within the realm of common, American and international knowledge-save for that network Fox News who apparently failed to receive the memorandum with the multitudinous mistakes.

When one of the most powerful branches of government in the world fails to inhibit the premeditated murder of hundreds of thousands of innocent civilians in Iraq, protect the American consumer from the predations of legalized loan sharks, and and pretends to care that automakers are flying in private, corporate jets when they (members of Congress) often imbibe in superfluous "representative visitations" to exotic locations, they might be deserving of the collective "best actor of the year" award in the newly invented category "useless films."

Of course, insidious rants against a largely inanimate object are exceedingly pointless. Personally, I have detailed a rather comprehensive and consumer-oriented approach to the current “cluster fuck to the poor house,” as John Stewart so aptly described it. My post here cannot include such a plan though as it is currently in development for submission and would inflate the blog, much like Congress has with the national debt, to unhealthy levels.

At the risk of being labeled a "citizen's political soap box," the only way to curb this disastrous Congressional performance is to voluminously speak out against what is unacceptable behavior-by any industry standard. It is easier to resign to the inevitability of further dilapidation, but this script like those in Hollywood that decry the aforementioned body, is editable.

Corey Scott-Vincent-William Dutra

You Can't Handle The Truth!

For many people who watch movies on presidents many believe that some are shown to be more favorable to others and they seem to fall on party lines. I don’t believe anyone in America will disagree that many in Hollywood have views that might different from yours, and their views are much more known because of paparazzi and candid interviews. When looking at history both parties have contributed to America from; winning World War II, the growth of economic supremacy, welfare programs, defeating the Soviets. I believe that many of the negative views stem from two things the 1960’s and Watergate. Many people in the 1960’s grew to distrust the older generation and Big Business believing these people forgot about the impoverished and lower class people. This is stigmatism that is still around in our culture today and directed at one party more the other.

The second is Watergate a watershed moment in American history the first president ever to resign from office because he was in fact, a crook. He was a Republican and the view of the party suffered and the office itself lost much respect afterward, the presidency has never been able to regain its past glory. The lionization of one certain party over another done by Hollywood is in fact complete stupidity. There have been good and bad presidents in both parties,; few people honestly look at Jimmy Carter and say he was a magnificent president other then Chevy Chase. You can look at Gerald Ford as a bad president in the same light as Jimmy Carter both men did have a few accomplishments but overall very poor examples of presidents. I believe you must also look at how one classifies what a good president is. If you think a president who is animated, full of life, takes the office in new areas then your more inclined to think certain ones were more important. If you think a good president is one who builds confidence, ropes in government, and takes a strong diplomatic stand then your inclined to think the opposite. It would be simple to just say Hollywood is liberal and any Republican president is cast how they see these Republican presidents. I will concede that I have not seen a Clinton movie or heard of one while Bush II had one made before he even left office, that is complete obscurity. I believe in objectivity especially when it comes to matters of the press. I believe it comes down to what you view a good president to be, you can downplay Reagan defeating the Soviets all you want but it happened under him because of his re-engaging the Cold War. You can hate LBJ because of his Great Frontier programs but they are here in America it all depends on what you think.

If any person though watches a presidential movie and thinks that is exactly how it is should perhaps hold his tongue when discussing good presidents. Hollywood never gets a story that is exposed to be based on history right ever, so I see them as entertainment not truth; more a fiction then anything else. A made for television movie about Reagan years is going to be truth, come on it went right to television, or how a discussion between Nixon and the head of CIA really went, they can only guess and they are usually wrong with these guesses. I believe they get these things wrong and Hollywood is just looking to make a buck, greed makes the world go around even in Southern California, if you believe it to be liberal or conservative. It is in control of directors, writers and producers not historians or people who were really there.

Robert Foster II

The Hollywood Myth

Jack Gustafson

I must say that I disagree with the nature of this question. First off, I see no evidence that Hollywood intentionally lionizes Liberal Presidents and demonizes Conservative ones. In fact, I can only think of a short number of movies dealing with the American Presidency, and of these few movies, I see no evidence of a hidden plot to paint a particular ideology in a negative or positive light.

Hollywood makes movies to make money. It is financially ignorant to attach any sort of political affiliation to any movie, as a certain portion of the population will commit themselves to not see it if they think it will directly challenge what they believe in. It is also a mistake to think that the Hollywood establishment is progressive, when the Hollywood power brokers have much more to gain from a Republican administration. With this said, why is there this myth that Hollywood is “out to get” conservatives?

To answer this question, I must ask two more: What makes a good movie? What makes people want to see a movie? The answer to both of these is the desire to witness conflict. We must not view Richard Nixon in Oliver Stone’s Nixon primarily as the Historical Nixon, but rather as a fictional one. The same goes for any other movie. In Oliver Stone’s Nixon, we get a character study of one of America’s most scrutinized Presidents. It is the breakdown of character, the ability for the audience to feel empathy, which allows the film to succeed. To make a good movie, one has to take artistic licenses in order to keep the audience’s attention: A director won’t succeed by being preachy; the film has to show and not tell. The story cannot stick to the absolute truth or else people would be asking for their money back.

Because there is this historical inaccuracy, we can presume that ideologues will be miffed. So back to part of the original question: Why are conservatives demonized? We can presume that since conservatives have held the Presidency for the majority of time since the acceleration of mass media that conservatives will be featured more than liberals in the media. Because of this prominence and because of the historical inaccuracy, we can presume that some will feel that Hollywood is demonizing conservatives.

To lay this non-answer aside, why do conservatives have such a distain for Hollywood in general? I believe that the culture wars of the 1980s and 1990s are emblematic of why conservative do not trust Hollywood. Conservatives of the Rush Limbaugh/Jerry Falwell bent were taught to believe that real Americans don’t drink to excess, use drugs, have sex before or outside of marriage, question authority, question God’s will, or be gay. Because Hollywood uses many of these issues within their films, we can assume that these types of conservatives will not take kindly to them, even if they do have to tackle these issues in their own lives, however quietly they do. The fact is that these issues are exciting and prone to cause conflict, which is why they are in films. People want to see something that will shock them; people want to see sex and violence.

To say that Hollywood is biased toward a particular political ideology follows the same sort of illogic that goes with saying that the media is biased in a particular political way. The fact is that money talks. The media will be biased to a certain degree, as long as it is profitable, just as a given film may attach itself to popular beliefs. Hollywood stopped being relevant a long time ago, so to even have this conversation bolsters the Hollywood myth.

Hollywood: Nuts & Bolts

The reason entertainment, particularly Hollywood, lionizes liberal presidents comes down to the basic principal of geography. Where is Hollywood? The great state of “fruits & nuts:” California. California is largely a liberal and democratic state. Although there are some areas that may be more conservative due to the wealth in California, the state is considered a blue state.

Long before film was considered to have a political nature, a man by the name of Eadweard Muybridge strung together a series of images and projected them to make The Horse in Motion (1878), considered to be the first movie ever made. There’s no underlying political message hidden in this clear-cut movie (as far as I know) but the roots of Hollywood span from a man, although originally from England, mainly resided in San Francisco, California. Another example of the early beginnings of film leaning towards a liberal persuasion is one of the first controversial political movies Mr. Smith Goes to Washington (1939.) Although the viewpoint may not have been considered liberal at the time, those issues recognized in the movie would today fit the depiction of liberal ideals today.

Is Hollywood liberal because the roots of industry were largely a liberal people starting an unbroken wave of liberalism in movies? Or did Hollywood start out unaffiliated and became liberal when the artists and free thinkers migrated there because that’s where the industry began? That’s similar to asking the age old question of “which came first, the chicken or the egg?”

Are there any movies that portray a conservative president in a good light? Not any that I can recall. There may be a few comedies that lash back at liberal portrayals, such as An American Carol (2008) which finished 9th in box offices it’s opening weekend (ouch!) Or movies that hide the heroism of conservative presidents - or so Andrew Klavan says about The Dark Knight (2008) although I tend to disagree- but none that blatantly try to portray a conservative president in the Hollywood glow that liberal presidents are cast into.

The basic truth is that entertainment is largely rooted in liberalism and intended to entertain a highly liberal audience. There are just no trends that allow room for conservative views (and presidents) in Hollywood.

Beth Goin

Hollywood's Lucifer

The question of why does Hollywood tend to lionize liberals but demonize conservatives is more complex than it initially appears. Mostly, though, the answer is rooted in the cultural progressiveness that Hollywood is often inclined toward; a progressiveness that is certainly not embodied in the often conservative, archaic and leisurely unaware Republican presidency.
Too often, in the interest of entertaining mass audiences who are generally preoccupied with indulging in sodium and caloric nutritional catastrophes and slurping on brown soda sludge, Hollywood races to “the bottom of the barrel,” as the syllabus points out. Consequently, the popcorn-pondering consumer is confronted with gratuitous violence, open legs and language that would made any sailor look like a saint.

Traditionally, family groups and other conservative organizations have been against the violence, sex and language of many Hollywood productions. Interpreting the aforementioned in a Biblical, moralistic light and choosing to conscientiously ignore the creativity and art of the craft, the conservative right has often aligned themselves in such a manner as to encourage their leaders to censor or otherwise limit the unbabashed discourse of the movie industry.

George W. Bush, in particular, was purported to rarely see a movie or read a newspaper-for that matter. His general ignorance and that of his Republican predecessors toward entertainment and the comedic wit and contemplative plots of Hollywood translated to his popular unpopularity among celebrities. Oh, and it did not really help that he was also a meat-eating, war mongering and wire-tapping. Hollywood is never quite eager to celebrate an individual who essentially contravenes everything Tinsel Town touts. Need we be reminded that meat bashing, anti-war protesting, moral relativism and civil rights are standard ideals that actors espouse?

Recently, there has been a thematic trend toward films that elevate the humanistic cause. Global warming, conspiracy speculation and political corruption have been among the issues depicted. Historically, Republican presidents have disputed-and indeed acted against legislation and measures that mitigate the emission of green house gases, among other things. This absolution against the planet is viewed as pseudo demonic; and in Hollywood where it is generally “trendy” to do anything for the planet and award-worthy to picket for the saving of endangered whales, those people who do not are seen as “backward” and uncultured. Acting in accordance to its collective progressiveness, Hollywood elites tend to marginalize conservative presidents and remove any remnant of political halo that might exist among viewing audiences.

Republicans’ tendency toward moral absolution, particularly defining world events in a “black and white” “good versus evil” manner does not particularly befit the Hollywood elite, either. In a town where dollars are made to tightrope the boundaries of morality, any attempt to establish a precedent for inarguable moral conduct is frowned on more than shouting in a public library.
Contrarily, Hollywood often lionizes liberal presidents. The reasoning for this is the converse of why they demonize conservative presidents. Because the majority of those in Hollywood would identify as openly liberal, it is not surprising that the films they produce are inclined toward progressive politics. Hollywood regards liberal presidents much as evangelical Christians regard Jesus: as humankind’s savior.

One recent portrayal of a conservative politician, Ronald Reagan, while objected by many right-wing pundits as “unfair” was rather positive. “The Reagan’s” a CBS miniseries was eventually pulled due to the incessant bitching of revisionist-history Republicans. The series, though, did attribute disproportionate credit to Reagan for concluding Cold War hostilities, among other creative liberties.
Maybe, the only reason Reagan was semi-haloed in this film is that Reagan himself had an artistic presence of Hollywood. After all, it would be considered “turn coat” and “Benedict Arnold-like” to completely condemn a former colleague to hell. Of course, it is difficult to condemn someone to “eternal fire” when you believe that hell is just another fanciful invention. As Andy Dick once said “I guess that is just how things are in Hollyweird.”

Corey Scott-Vincent-William Dutra

Second Post

Our collective second post addresses the question why Hollywood tends to lionize liberal presidents while demonizing conservative ones. If our previous entry was any indication, this too should provoke stimulating opinion and side-splitting humor.